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Fig. 1. Boerhaavelaan 6 from the garden. Photograph Willem Vogelsang, 2025.Fig. 1. Boerhaavelaan 6 from the garden. Photograph Willem Vogelsang, 2025.In April 2026, the Textile Research Centre (TRC) moved from its former address along the Hogewoerd in the centre of Leiden, into a new 'home'. It is an early-twentieth century urban villa just behind the main Leiden railway station (Fig. 1). The house, at  Boerhaavelaan 6, was occupied by the same family for more than one hundred years.

The last resident, Mrs Hélène Maria Theodora Nauta-Barge, lived there for her entire life until she died in 2023, aged 99. Since then it has become the property of the national Stichting Monumentenbezit, which now rents it out to the TRC upon the recommendation of Leiden City Council, The house has a fascinating background and reflects the rich, and sometimes turbulent history of Leiden.

At the TRC we are very fortunate to work in this beautiful building, and we are also very pleased with the help of the Nauta-Barge family when learning about the history of the building and its occupants. We especially want to thank Mrs Jolande Calkoen, a daughter of the late Mrs Nauta-Barge, for her assistance and personal recollections.

Fig. 2. The house being expanded, 1926.Fig. 2. The house being expanded, 1926.Herman Boerhaave

The area where the house was built used to be part of the municipality of Oegstgeest until 1896, when it was added to Leiden. This explains the original name of the street, laid out in 1906, namely the Oegstgeesterlaan, which allegedly was given to the new street in recognition of the area's history.

The street received its current name in 1931, after a statue of Professor Herman Boerhaave (1668-1738), a famous 17th and 18th-century botanist, chemist,  and physician at Leiden University, was placed at the beginning of the street, opposite the new academic hospital (which had opened in 1928).

Previously, the statue had stood at the entrance to the former academic hospital (opened in 1873), the same building which in 1937 opened its doors again as the Rijks Ethnografisch Museum, now known as the Wereldmuseum.

Fig. 3. Prof. Joannes Antonius James (Ton) Barge (1884-1952).Fig. 3. Prof. Joannes Antonius James (Ton) Barge (1884-1952).Early occupants

The villa at Boerhaavelaan 6 was designed around 1909 by the architect Willem Fontein (1864-1949) for Mr. P.J. van Hoeken, a wealthy timber merchant. However, his wife apparently did not like the house and its location.

They moved out, and in 1920 the property was purchased by the young Professor Joannes Antonius James (Ton) Barge (Fig. 2; 1884-1952), who the previous year had been appointed as Professor in Anatomy and Embryology at Leiden University. He was born in Semarang, in the Dutch East Indies, as the son of a coffee merchant, but with an English ancestry.

Fig. 4. Thérèse Barge-Dreesmann in c. 1939, working on an embroidery frame still kept in the house and recently cleaned and waxed. She was the aunt of Cécile Dreesmann (1920-1994), a textile artist who published widely on the subject of embroidery.Fig. 4. Thérèse Barge-Dreesmann in c. 1939, working on an embroidery frame still kept in the house and recently cleaned and waxed. She was the aunt of Cécile Dreesmann (1920-1994), a textile artist who published widely on the subject of embroidery.In the same year that he accepted his new position at Leiden University, he married Thérèse Antoinetta Maria (Trees) Dreesmann (Fig. 3; 1893-1991), daughter of Anton Dreesmann (1854-1934), the co-founder of the Vroom & Dreesmann chain of department stores (V&D).

Shortly after buying the property, Barge commissioned the architect Hendrik Jesse (1860-1943) to considerably expanded the house (Fig. 3). This work was completed in 1926.

The house

Jolande Calkoen, a granddaughter of Ton Barge and Trees Dreesmann, told us that before the war the interior of the house at Boerhaavelaan 6 was very classic, featuring many antiques and presenting a distinguished appearance (compare Figs. 5-6). The house was well-organised and spaciously laid out. At that time, the kitchen and utility room were the domain of the kitchen maid and chambermaid.

Until the 1950s, a central bell board indicated in which room a bell had been rung. In the post-war period however, things changed, the number of people living in the house increased and the kitchen increasingly became the centre of family life.

Fig. 5. Former state of the diining room of Boerhaavelaan 6, and beyond the partition the sitting room along the Boerhaavelaan. Photograph courtesy Barge/Nauta family archive.Fig. 5. Former state of the diining room of Boerhaavelaan 6, and beyond the partition the sitting room along the Boerhaavelaan. Photograph courtesy Barge/Nauta family archive.

Fig. 6. The ground floor study. The album that contains this photograph dates from 1948. Photograph courtesy Barge/Nauta family archive.Fig. 6. The ground floor study. The album that contains this photograph dates from 1948. Photograph courtesy Barge/Nauta family archive.

The housed still has a large garden, and at the back there is a garden pavilion (Figs. 7 and 8). This charming little, wooden construction originates from Amsterdam. It allegedly dates to the mid-19th century and it stood until 1903 on a bridge across the Singel, between de Leidsestraat and Heiligeweg (near the Raadhuisstraat and the Koningsplein).

The owners sold waffles under the canopy and slept in the tiny attic. When the bridge was widened, the pavilion was taken down and reconstructed at Anton Dreesmann's villa ('Looverhof') in Bussum, at the back of the garden. After the war it was moved to Leiden where it still stands.

Fig.  7. The garden pavilion, originally from a bridge across the Singel in Amsterdam, now in the garden of Boerhaave 6. Photograph: Willem Vogelsang 2025.Fig. 7. The garden pavilion, originally from a bridge across the Singel in Amsterdam, now in the garden of Boerhaave 6. Photograph: Willem Vogelsang 2025.
Fig. 8. Photograph taken in August 1939 in front of the garden pavilion in the garden of Looverhof, Anton Dreesmann's villa in Bussum. From left to right: Fred Barge, Thérèse Barge-Dreesmann, Ton Barge, Hélène Barge and Jim Barge. Photograph courtesy Barge/Nauta family archive.Fig. 8. Photograph taken in August 1939 in front of the garden pavilion in the garden of Looverhof, Anton Dreesmann's villa in Bussum. From left to right: Fred Barge, Thérèse Barge-Dreesmann, Ton Barge, Hélène Barge and Jim Barge. Photograph courtesy Barge/Nauta family archive.

Life at Boerhaavelaan 6

Prof. Ton Barge, according to his granddaughter Jolande, was an amiable and remarkable man. With four of his university friends, he founded a walking club, ‘de Beentjes’, which met each week. Actually, the name and function of the club still live on in a monthly meeting 'Op pad met de Beentjes'. Ton was successful in his field and also socially active at university, the Catholic church, and in politics. He was a member of de Eerste Kamer (Senate) between 1937 and 1940, and again from 1945 to 1949. He also advised on the municipal museum De Lakenhal, the Leiden Theatreand the Leiden Gymnasium (Grammar School).

Fig. 9. "De Beentjes."  A group of Leiden professors that met for a walk every Wednesday afternoon at 15.30 under the clock of the (new) Academic Hospital. From left to right: Prof.Eduard Meijers (1880-1954), Prof. Jan van der Hoeve (1878-1952), Prof. Johan Huizinga (1872-1945), Prof. Gerrit Jan Heering (1879-1955), and Ton Barge. Photograph courtesy Barge/Nauta family archive.Fig. 9. "De Beentjes." A group of Leiden professors that met for a walk every Wednesday afternoon at 15.30 under the clock of the (new) Academic Hospital. From left to right: Prof.Eduard Meijers (1880-1954), Prof. Jan van der Hoeve (1878-1952), Prof. Johan Huizinga (1872-1945), Prof. Gerrit Jan Heering (1879-1955), and Ton Barge. Photograph courtesy Barge/Nauta family archive.

He served as the Rector Magnificus (Chancellor) of Leiden University (1937-1938) and as a member of Parliament. The couple had four children: Suus, Jim (born 1922), Hélène (Hélènetje, born 1924), and Fred (born 1927).

Fig. 10. Drawing made by Professor Johan Huizinga for his friend, Tom Barge, at that time the Chancellor of Leiden University, on the occasion of the Dies Natalis dinner on 8 February 1938. It illustrates the various roles and functions of Prof. Barge, including his campaign to replace Boerhaave's statue and to rename the Oegstgeesterlaan to Boerhaavelaan. Photograph courtesy Barge/Nauta family archive.Fig. 10. Drawing made by Professor Johan Huizinga for his friend, Tom Barge, at that time the Chancellor of Leiden University, on the occasion of the Dies Natalis dinner on 8 February 1938. It illustrates the various roles and functions of Prof. Barge, including his campaign to replace Boerhaave's statue and to rename the Oegstgeesterlaan to Boerhaavelaan. Photograph courtesy Barge/Nauta family archive.

He was an outspoken opponent of the racial theories of the German Nazis who occupied The Netherlands in 1940-1945. He did not hide his views, and he spoke out openly during a lecture on 26 November 1940. A plaque to the right of the front door of Boerhaave 6 (Fig. 11) commemorates his speech.

Fig. 11. The plaque attached next to the front door, commemorating Prof. Barte's protest speech, 26  November 1940. Photograph Willem Vogelsang 2026.Fig. 11. The plaque attached next to the front door, commemorating Prof. Barte's protest speech, 26 November 1940. Photograph Willem Vogelsang 2026.After the war, comparable plaques were placed elsewhere in Leiden to mark two comparable lectures read at the same day, namely by Prof. Rudolph Cleveringa (1894-1980), who lived nearby, at Rijnsburgerweg 29, and by Prof. Lambertus van Holk (1893-1982; Plantage 26).

All three were subsequently arrested by the German authorities. Prof. Barge was arrested on 4 May 1942 and held hostage in Sint Michelsgestel, Noord-Brabant, until December 1942. but he and the two other Leiden professors survived the war. 

Prof. Barge's house along the Boerhaavelaan was confiscated by the German authorities and from early 1943 until late 1944 served as the Ortskommandantur of the German Wehrmacht in Leiden They also confiscated the house next door (Boerhaavelaan 4).  The rooms in Boerhaavelaan 6 were numbered (the numbers survive).

The cellar sometimes served as a prison. It was only after 45 years that Pieter R. from Leiden came to tell about his experiences during the war as a 16-year old. He had been imprisoned in the cellar.

For all those years he did not dare to walk down the street and look at the house. Afterwards, Pieter would occasionally visit the family for a coffee at the coffee table in the kitchen.

But the new German residents perhaps had no idea of the link that the house and the Barge family had with Dutch resistance. Barge's house still has a small hiding room on the second floor. Several people could be accommodated there behind the bed, where the young Hélène would pretend to have diphtheria.

Fig.  12. Winston Churchill received an honorary doctorate at Leiden University in May 1946. He is sitting in the Pieterskerk, in one of the embroidered chairs from Boerhaavelaan 6. Photograph courtesy Barge/Nauta family archive.Fig. 12. Winston Churchill received an honorary doctorate at Leiden University in May 1946. He is sitting in the Pieterskerk, in one of the embroidered chairs from Boerhaavelaan 6. Photograph courtesy Barge/Nauta family archive.

After the war

After the Second World War, in 1949, Hélène married Jan Nauta (1922-2013), who trained as a heart surgeon in Leiden and subsequently became co-founder of the medical faculty and the Thorax Centre in Rotterdam. During the Second World War, Jan had been active in the resistance. He was betrayed and ended up in a German concentration camp. Hélène also held her own during the waar. She once brought an Allied pilot to safety on her bicycle after an emergency landing near Leimuiden, close to Leiden.

Jan and Hélène met after the war when the NBBS (the travel agency for students) was re-established in Leiden and they were both working there. Hélène and Jan had five children, including Jolande.

Fig. 13. Hallway of Boerhaavelaan 6. The chair in front has a plaque at the back commemorating Winston Churchill who sat in this chair on 10 May 1946 when he received an honorary doctorate from Leiden University. Photograph courtesy Barge/Nauta family archive.Fig. 13. Hallway of Boerhaavelaan 6. The chair in front has a plaque at the back commemorating Winston Churchill who sat in this chair on 10 May 1946 when he received an honorary doctorate from Leiden University. Photograph courtesy Barge/Nauta family archive.

After the war, the house was returned to the family, and Prof. Barge also returned to Leiden. Fascinating is the film *Zes Jaren* (see Youtube) released in 1946 as a tribute to student resistance in Leiden against the German occupation. The name of Hélène Barge appears in the credits.

In the same film, it so happens, we also see a chair (or one of the two identical chairs), placed inside the house, which was used by Winston Churchill on 10 May 1946 when he received an honorary doctorate in Leiden (Figs. 12 and 13). This chair was borrowed from among the furniture of Boerhaave 6. Two identical chairs, with beautiful embroidery, still form part of the house's furniture.

Fig. 14. Small party other liberation and after the house had been returned to the family. From left to right: Thérèse Barge-Dreesmann, Major Manley, Hélène Barge, Colonel Evans Vaughn, town mayor?, Fred and Jim Barge (both standing), Ton Barge, Cliff Kennedy. Photograph courtesy Barge/Nauta family archive.Fig. 14. Small party other liberation and after the house had been returned to the family. From left to right: Thérèse Barge-Dreesmann, Major Manley, Hélène Barge, Colonel Evans Vaughn, town mayor?, Fred and Jim Barge (both standing), Ton Barge, Cliff Kennedy. Photograph courtesy Barge/Nauta family archive.

The Nauta-Barges

After the war and due to a housing shortage, the house became very crowded. Besides the parents—Ton and Trees—there was the still unmarried Fred and the families of Jim and Hélène. The fourth child, Suus, soon moved out. Ton Barge died in 1952, and his widow, Thérèse, moved out in 1956. She was a spirited woman who had always been active as a volunteer helping the poor and the blind. After her husband's death she left for Tanzania for a year, where she worked as a nurse, often under challenging conditions. For her children she wrote down some of her memories of her childhood and later life.

Fig. 15. Jan Nauta (1922-2013) and Hélène Nauta-Barge (1924-2023). Mrs Nauta-Barge lived at Boerhaavelaan 6 her entire life. Photograph courtesy Barge/Nauta family archive.Fig. 15. Jan Nauta (1922-2013) and Hélène Nauta-Barge (1924-2023). Mrs Nauta-Barge lived at Boerhaavelaan 6 her entire life. Photograph courtesy Barge/Nauta family archive.The rooms in the house acquired ever-different purposes and occupants. For instance, the large en-suite room on the first floor was split into two bedrooms. On the ground floor, the en-suite space has always been divided into a sitting room at the front and a dining room with a conservatory at the rear. The sitting room was  used for receptions and festivities, such as Sinterklaas evenings.

Fig. 16. The staircase of Boerhaavelaan 6, 2025. Courtesy Monumentenbezit.Fig. 16. The staircase of Boerhaavelaan 6, 2025. Courtesy Monumentenbezit.In the dining room stood an imposing cabinet with Chinese porcelain. Before the war, dinners were held there with white tablecloths, lots of silver, and table service. Later, space was created for table tennis and a TV corner. After Barge's death in 1952, his study at the back of the ground floor first became a family room for the Nautas and later the study for Jan Nauta.

The room next to the front door served for a time as a bedroom for grandmother Thérèse, featuring a life-sized painting of the Virgin Mary with Child. Later it became a ‘playroom’, sewing room, junk room, and medical library. This space was eventually used for many years by Jan Nauta, by then a grandfather and retired, as a workspace for the family archive that he kept at the very top of the house.

Fig. 17. The ground floor rooms at Boerhaavelaan 6, looking through the sitting room to the dining room. Photograph courtesy Monumentenbezit.Fig. 17. The ground floor rooms at Boerhaavelaan 6, looking through the sitting room to the dining room. Photograph courtesy Monumentenbezit.Hélène always gave a lot of attention to the back garden, with its flower borders all around the large lawn. There was the garden pavilion, but also two gas lanterns that were removed from along the Rapenburg canal in the centre of Leiden. The sunken central section of the garden was once an ideal ice rink for the children (alhough not so very good for the grass).

In later years, Hélène would feed the seagulls in the garden. She really liked them, and they liked her. Eventually, all those seagulls would nest on the roof. The resulting disturbance (and filth) in the adjoining street was full-page news in the NRC, but although the journalist lived across the street, he never found out why the gulls were so much attracted to the area.

Jolande Calkoen, Hélène's daughter, adds:

Ultimately, the house was intensively inhabited by the Nautas for over 70 years, ever since they got married in 1949.

Because of the many memories—including, for example, ice skating in the garden, romantic dinners in the garden pavilion, and the many Sinterklaas evenings—saying goodbye was not easy for the four ‘children’ and twelve grandchildren of the Nautas. They searched for a long time for a dedicated new owner with an eye for the historical character of the property. The combination of Stichting Monumentenbezit and the TRC fully met that wish.

Fig. 18. The first main public event of the TRC at Boerhaavelaan 6 on 26 March 2026: The presentation of The Atlas of World Embroidery, written by the TRC director Gillian Vogelsang-Eastwood, to the Leiden Mayor, Peter Heijkoop.Fig. 18. The first main public event of the TRC at Boerhaavelaan 6 on 26 March 2026: The presentation of The Atlas of World Embroidery, written by the TRC director Gillian Vogelsang-Eastwood, to the Leiden Mayor, Peter Heijkoop.

 

Fig. 1. Postage stamp issued in Cyprus in 1981 to commemorate the 500th anniversary of the visit of Leonardo da Vinci to Cyprus. Above: The Duomo in Milan. Below: A piece of Lefkara lace.Fig. 1. Postage stamp issued in Cyprus in 1981 to commemorate the 500th anniversary of the visit of Leonardo da Vinci to Cyprus. Above: The Duomo in Milan. Below: A piece of Lefkara lace.The TRC Leiden is very pleased to announce a special workshop on Lefkara or Lefkarika lace, scheduled for 21 May, and repeated on 22 May. The workshops are given by Eleni Anemomilou, who is coming especially to The Netherlands to give these and other workshops. Her trip is organised by the Cyprus Handicraft Service. 

Lefkara lace or whitework is one of the embroidery techniques that were traditionally practised in Cyprus. It is a form of cutwork with satin stitch details. It is often classed as a form of embroidered lace. Nelleke Ganzevoort wrote a detailed blog about this fascinating technique five years ago, which the TRC published on 21 December 2021. In 2009, the Lefkara lace technique was included in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity.

Lefkara lace is said to originate from the village of (Pano or Kato) Lefkara, Cyprus, and is locally called tayiadha (compare the Italian term punto tagliato, for cutwork ). Lefkara lace is said to have been developed in the time of the Venetian occupation of Cyprus (1489-1571), when reticella work was introduced to the island and local women copied the whitework's appearance, but using a different technique.

The Spring 2026 issue (No. 227) of the international magazine HALI includes a six-page article, with some splendid photographs, explaining the creation of The Atlas of World Embroidery (Princeton University Press, Febr. 2026). The article and book were written by Gillian Vogelsang-Eastwood, director of the TRC. A Dutch version of the book, Atlas van de Borduurkunst, came out on the same date and was published by WBooks.

The article is published on pp. 228-229, 230-231, and 232-233.

HALI Vol. 227, 2026, pp.  228-229.HALI Vol. 227, 2026, pp. 228-229.

The TRC’s agenda is gradually expanding with a wide range of workshops, study days and courses. Here is the current Agenda.

In the meantime, we would like to draw your attention to some new items: 21-22 May: Lefkara whitework workshops; 13 June: Book market; 12-13 September: Open Monuments Days. For more information and registration: This email address is being protected from spambots. You need JavaScript enabled to view it..

The Textile Research Centre, Leiden.The Textile Research Centre, Leiden.From early 2026, the Textile Research Centre, Leiden, the Netherlands, is offering a total of seven junior and four senior fellowships for up to six months each. The first junior fellow has started her work in Leiden in April.

The fellowships are being sponsored by the Gieskes-Strijbis Foundation, Amsterdam. Fellows are invited to carry out research based on the TRC’s extensive textiles and dress collection of some 53,000 objects (click here for the catalogue). The junior fellows are supervised and assisted by TRC staff; senior fellows carry out independent research.

We are now opening the second round of the fellowships that covers:

  • Two junior positions
  • One senior position

These will be starting in October 2026 (with a degree of flexibility), for a duration of up to 6 months. Applications for these positions should be submitted by email to the TRC by 20 June 2026 (This email address is being protected from spambots. You need JavaScript enabled to view it.)  with the reference: ‘Fellowship programme Junior/ Senior' (depending on the position applied for).

The move to Boerhaavelaan 6 is nearly finished, just a few more weeks and all the rebuilding, painting, furnishing, packing and putting away of boxes will be over! A great relief to all.

I would just like to extend a big ‘Thank You’ to everyone who has made a donation to the TRC moving fund. It made such a difference to have your support, best wishes and interest in what we are doing and plan to do. Please feel free to come and see what you have helped to create - the new and improved TRC is an elegant, early 20th century town villa!

Inevitably, we continue looking for help with different projects, and any further financial assistance will be greatly appreciated.

The TRC will open again to the public on Monday 11th May, but in the meantime, workshops, study days and lectures are already being presented. And I can assure you, there is lots more to come!.

Gillian Vogelsang-Eastwood, Director TRC, 4 April 2026.

The new home of the TRC, from the garden. Photograph: Willem Vogelsang.The new home of the TRC, from the garden. Photograph: Willem Vogelsang.From April 1st, we are officially the proud tenants of the urban villa Boerhaavelaan 6, Leiden. The house is located some 200 metres from the Central Leiden Railway Station, Oegstgeest exit.

Please have a look at the list of activities below (you can find the provisional list of activities for 2026 here), and let us know which ones you would like to attend. Please register in advance at This email address is being protected from spambots. You need JavaScript enabled to view it..

1 April. Workshop Irish crochet lace

3 April. Study day: Khayamiya appliqué panels from Cairo, Egypt

8 April. Beginners course: Bobbin lace (3)

15 April. Workshop: Basics of band weaving

19 April. Sunday lecture: The history of the paisley motif

20-24 April. TRC Five-Day Intensive Textile Course

29 April. Advanced course: Bobbin lace (4) 

Moroccan kaftan for a woman, made from a Japanese kimono sash (obi), 1950s (TRC 2001.0074).Moroccan kaftan for a woman, made from a Japanese kimono sash (obi), 1950s (TRC 2001.0074).

3 May. Sunday lecture: Sustainability and WWII textiles

6 May. Workshop: Basics of felt making

8 May. Study day: What is embroidery?

13 May. Workshop: Historical handsewing techniques

13 May. Advanced course: Bobbin lace (5)

20 May. Workshop: Palestinian embroidery

27 May. Advanced course: Bobbin lace (6)

31 May. Sunday lecture: Tutankhamun's wardrobe

Yesterday, Friday 20th March, the rental contract for Boerhaavelaan 6 was signed between the owners, the Stichting Monumentenbezit, and the TRC! This may be one small step for mankind, but it is one large step for TRC’s plans for becoming the international hub for textile and dress studies and for making Leiden into the ‘City of Textile Knowledge’ a reality! 

Photograph, from left to right: Mark van den Bos, Director Monumentenbezit, Dr. Gillian Vogelsang-Eastwood, Director TRC and Prof. Bas ter Haar Romeny, Chair of the TRC Board.Photograph, from left to right: Mark van den Bos, Director Monumentenbezit, Dr. Gillian Vogelsang-Eastwood, Director TRC and Prof. Bas ter Haar Romeny, Chair of the TRC Board.

An extensive programme of research, events, and textile outreach is being organised for this year and indeed for the years to come. And the signing of the contract is a very significant moment for us all.

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Contact

Boerhaavelaan 6
2334 EN Leiden.
Tel. +31 (0)6 28830428  
office@trcleiden.org 

The TRC is open every day from 10.00 to 15.00

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Bank account number

NL39 INGB 0002 9823 59, in the name of the Stichting Textile Research Centre.

Donations

The TRC is dependent on project support and individual donations. All of our work is being carried out by volunteers. To support the TRC activities, we therefore welcome your financial assistance: donations can be transferred to bank account number (IBAN) NL39 INGB 000 298 2359, in the name of the Stichting Textile Research Centre. BIC code is: INGBNL2A.

 You can also, very simply, if you have an iDEAL app, use the iDEAL button and fill in the amount of support you want to donate: 
 

 

 

Since the TRC is officially recognised as a non-profit making cultural institution (ANBI), donations are tax deductible for 125% for individuals, and 150% for commercial companies. For more information, click here